Apr 21 2013
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2013.04.20 同流膜 TrafficJam @ 南港瓶蓋工廠
Apr 16 2013
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鬼唱詩班演出The ghost choir
演出：謝仲其 鄭衍偉 李那韶 等
時 間：2013-04-22(一)～2013-04-22(一)
地 點：清華大學 合勤演藝廳
| 表演介紹 |
鬼唱詩班演出The ghost choir
謝仲其(噪音藝術家)
鄭衍偉(文字工作者)
李那韶(暗黑吉他少尉)
謝瀞瑩(法國號演奏家，電子即興音樂家)
時間：2013.04.22 (一) 19:30 自由入場
詩─樂
│╳│
語─音
在詩與歌之間
在音與樂之間
在程式與文學之間
在簿仔紙與廣播電台之間
之間
之間
之間
鬼唱詩班
鬼唱詩班於2012年成立，旨在探討”詩”與”聲”之間的密切關聯，不從傳統的器樂音樂出發，藉由聲響的直接調變發掘詩作的音韻可能性。
Apr 06 2013
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KRG#29 Shadow Boxing - Bob Ostertag and Pierre Hébert in Taipei
http://kandalarecords.tw/
演出：Bob Ostertag & Pierre Hébert、wolfenstein & VJ Ellen
時間：2013/04/05 (五) 20:00
地點：光點華山2F多功能藝文廳
地址：台北市八德路一段一號 中六電影館
原價：600元 (兩廳院售票) 票數有限
早鳥：500元 (3/22截止，請來信，或在 Kandala Records 群組及粉絲頁留言)
┴ wolfenstein 本名謝仲其，長年自主聆聽與創作，剛從紐約 Revolutions per Minute: A Decade of Chinese Sound Art 演出回來，不輕易跨界演出的他，近年以「鬼唱詩班」的名義與詩詞朗誦互動，本場則是他首次與影像合作。VJ Ellen，人稱潘潘，影像專門科系畢業，長期與搖滾樂團、聲音藝術家和小劇場密切合作，影像以幾何圖形及靈活調變著稱，對「擴延電影」始終保持高度興 趣。兩人首次同台，令人拭目以待！
┬ Bob Ostertag 和 Pierre Hébert 的「現場電影」(Live Cinema)，往往透過實物投影、現場手繪圖案、聲音取樣及調變，批判卻不失幽默地介入社會議題。Bob 在 1991 年出版的聲音作品 Sooner or Later 紀錄薩爾瓦多男孩為遭軍隊射殺的父親埋葬時的啼哭，驚駭四座。Pierre 是全職動畫家，影像以抽象主義著稱，直接於電影膠卷上刻畫線條，後期加入不少政治訴求。兩人在 2004 年共同出版現場演出紀錄 Between Science and Garbage，大獲好評。
KRG#29 Shadow Boxing - Bob Ostertag and Pierre Hébert in Taipei
http://kandalarecords.tw/
Bob Ostertag & Pierre Hébert、wolfenstein & VJ Ellen
Date: 2013/04/05 (Fri) 20:00
Venue: SPOT Huashan Cinema *Movie Building 2F*
Address: *Middle Section 6*, No.1, Sec. 1, Bade Rd., Zhongzheng Dist., Taipei City
Original Price: NT600 Limited Tickets Available
Discount Price: NT500 (email to orderkr@gmail.com or leave a message in Kandala Records’ FB Page/Group before March 22nd)
┴ wolfenstein (Zhongqi Xie), after years of autonomous listening and creation, fresh back from touring at NY Revolutions per Minute: A Decade of Chinese Sound Art. Having limited interdisciplinary performance, Wolfenstein recently initiated “Ghost Choir” to interact with poetry and lyrics, this gig with VJ Ellen will be his first visual co-op. VJ Ellen a.k.a. Pan-Pan, graduated with a video diploma. She for a long time has been working with rock bands, sound artists and avant-garde theaters closely. Well known for geometric shapes and swift modifying of her image, while holding high interest in “expanded movie”. This collaboration is vastly anticipated.
┬ Bob Ostertag and Pierre Hébert’s Live Cinema, through light sculpture, live drawing, sound sampling and tuning, critiques social issues with a touch of humor. Bob, in his 1991 published sound work Sooner or Later, stunningly recorded a El Salvadoran boy crying while burying his father who was executed by militia. Pierre is an animationist. His widely-acclaimed abstractionism image is directly drawn on the film, with much political proposal added. In 2004 the duo published Between Science and Garbage, a critically acclaimed live recording.
+
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Tuesday, March 26, 6pm, Opening remarks by Dajuin Yao with Reception
Wednesday, March 27, 7pm, Performance: Wang Changcun, Xu Cheng, Xie Zhongqi & Samson Young
Thursday, March 28, 7pm & 9pm, Performance: Ho Tung Visualization Lab, Dajuin Yao, Wao Changcun, Wenhua Shi & Qu Qianwen.
Friday, March 29, Panel Discussion: Christoph Cox, Samson Young, Dajuin Yao & Wenhua Shi.
Press Release:
Workshops
TOPIC 1: Dajuin Yao: Phonography: The Art of Field Recording.
TOPIC 2: Xu Cheng: Electronic Circuit-Bending and Effect Boxes Building
TOPIC 3: Wang Changcun: Max/MSP Improvisation
TOPIC 4: Dajuin Yao: Real-time Audio-Visual Performance
TOPIC 5: Samson Young: Brainwave Composition
Revolutions Per Minute will feature new and existing works by 30 Chinese sound artists, including Wang Changcun, Xu Cheng (a member of the renowned Shanghai noise group Torturing Nurse), Yan Jun, and Samson Young. Wang Changcun, Xu Cheng, Samson Young, Qu Qianwen, and Xie Zhongqi will be in residence at Colgate throughout the duration of the exhibition. Along with the exhibition’s curators Wenhua Shi and Dajuin Yao, these artists-in-residence will present live sound art performances during the opening week of the exhibition, including improvisations, inter-media performances, and circuit bending. They will also conduct demonstrations on sound art workshops throughout the course of the exhibition.
Sound artists use noise, live performances by musicians, recorded ambient sounds, spoken words, audio-visual tapes and other aural elements to create art installations that either have no visual elements or forge a connection between images and sounds. It has become a popular genre in China in recent years, where a new generation of avant-garde artists are pushing its boundaries. -James C. Mckinley Jr. New York Times
For more information please click here.
Mar 12 2013
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【同流膜_身噪體 Mixing Membrane_Hybrid of body and sound】
http://mixingmembrane.blogspot.tw/
｜展演場次 @所有場次歡迎自由樂捐/每場演完皆有座談｜
3/22 Fri.@studio 2224
(19:30) 鬼唱詩班The Ghost Choir ｜藝術家&團隊：謝仲其、鄭衍偉、李那韶、林易澄、謝瀞瑩
4/20 Sat.@南港瓶蓋工廠 URS13
(19:00) TrafficJam ｜藝術家&團隊：謝仲其、紀子衡、林育德
『空間地址』
2224 studio(台北市錦州街426巷1弄26號1樓/ No. 26, Alley 1, Lane 426, Jinzhou St, Jhongshan District Taipei City) TEL: 02-2509-2066
南港瓶蓋工廠URS13 (台北市南港路二段13號/ No.13, Sec. 2, Nangang Rd., Nangang Dist., Taipei City)
策展 META 洪雅純 /企劃 張婷芝Fiona / 美術設計 丁錫卿
指導單位：台北市政府文化局
主辦單位：同流膜跨域國際
協辦單位：國立台北教育大學南海藝廊、Instant 42、 深層腦部刺激合作社、DADADA¡¡¡ 集體藝術家、異化城市-新媒體劇團、旃陀羅唱片、強心針Just One Fix
贊助單位：財團法人國家文化藝術基金會、洪建全教育文化基金會、 財團法人台北市文化基金會藝術村營運部、台灣藝術市集協會、台北市都市更新處
Mar 10 2013
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Sad day for music lovers. #NOOOOOOOOOOOOOOOOOOOO
Proper eulogy forthcoming. A little stunned at the moment.
(via killedincars)
Jan 24 2013
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100年以上昔に作られた世界最古のDJシステム | BUZZAP！（バザップ！）
“これが1910年にフランス人技師Leon Gaumontによって公開された「THE GAUMONT CHRONOPHONE SYSTEM」。2台のターンテーブルが蓄音機に接続されています。
しかもこれにはDJミキサーのクロスフェーダーに当たる装置が付いており、2枚のレコードから出る音楽をミックスすることが可能となっています。
なぜそんなものがこの時代にあるのでしょうか？理由は映画です。この時代はサイレント映画と呼ばれる無声映画からトーキーと呼ばれる発声映画への移行期に当たります。サウンドカメラと呼ばれる映像と音声を一つのフィルムに記録する技術ができる前は映像と音声は別々に再生されていました。
そのため映像と音声の同期が難しく、トーキーはまだ実験的な段階にありました。特に、当時音声はアナログレコードを用いて再生されていたため、レコードの再生時間に音声が制限されていました。その制限を取り払い、よりスムーズに映画の音声を映像に合わせてミックスするために用いられたアイディアのひとつがこの「THE GAUMONT CHRONOPHONE SYSTEM」となります。
なお、エアコンプレッサーを使ったアンプを内蔵しており、4000人クラスのホールで使用できるほどの音量を誇ったとのこと。”
(via rapemeagain)
Dec 30 2012
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Nov 22 2012
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Science Series: Sounds of Frequency - 250 cps., 177 cps., 125 cps. (0 db.) (1954)
Ryoji Ikeda - -. (1996)
La Monte Young - 13 I 73 5:35-6:14:03 PM NYC From Map Of 49’s Dream The Two Systems Of Eleven Sets Of Galactic Intervals Ornamental Lightyears Tracery (1974)
Pauline Oliveros - Bye Bye Butterfly (1965)
John Cage - Imaginary Landscape No. 1 (1939)
Karlheinz Stockhausen - Studie II (1954)
noto - empty garden(inside.out) (1999)
Satoru Wono - 2nd mov. Scherzo (2003)
Nov 16 2012
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c86:
The man born Peter Kuhlmann (“Namlook” is his name pronounced backwards) was an incredibly prolific artist from the ’90s on, releasing some 130 albums over the course of his career. These included numerous collaborations with artists like Richie Hawtin, Uwe Schmidt (as Atom Hart), Biosphere and Move D among many others. He also ran his own label, FAX +49-69/450464 (often known simply as Fax), which released more than 100 CDs and records in its first year of operation. Working on his own, Kuhlmann’s style was heavily influenced by Germany’s kosmische tradition and artists like Brian Eno, as well as classical and Eastern music - Resident Advisor
