Lacking Sound Festival Listen 53
2011, November, 18(Fri)＠Nan-Hai Gallery
Entrance Time︱19:20 Starts Punctually At 19:30
Entrance Fee︱NT$.50
Limitation Of Entry 80 People
【Sound Gathering and Gestating】
Artist︱ HSU, Yen-Ting
Artist︱ Traffic Jam
失聲祭 Listen53
2011, November, 18(Fri)＠南海藝廊
入場時間︱19:20入場 19:30準時開始
入場費︱NT$.50
每場限定80位觀眾
【汲音孕聲】
演出者︱ 許雁婷
演出者︱ Traffic Jam
Curator︱YAO, Chung-Han
Graphic Design︱Nat NIU
Project Manager︱Liang CHEN / FENG, Hsin
指導單位︱台北市文化局
主辦單位︱噪流(失聲祭團隊)
協辦單位︱國立臺北教育大學 南海藝廊
Supervised by︱ Department of Cultural Affairs Taipei City Government
Organized by︱Lacking Sound Festival Team
In Cooperation with︱National Taipei University of Education Nan-Hai Gallery
Artist︱ HSU, Yen-Ting Hsu
Her affinity to working with sound started from a field recording project – Chiayi Sound Project (a collaboration with French sound artist Yannick Dauby, 2008-2009), which opened up her interests and study toward sound art. She investigates the connection among sound, life, environment, and ethno-culture. Sound is an approach to realize different perspectives of today’s world. Adopting materials from field recordings to create audio documentaries and soundscapes, her works are often told with narrative. She went to England and France to carry out a study of “Web-radio as a platform of developing sound art” in 2010.
Performance Introduction︱
You are too much occupied by what you see when you are sober.
It is a listening session. There are no performers but soundscapes flow in from other spaces.
It’s an invitation: let’s listen, feel and imagine.
e-Mail︱ winter.ting@gmail.com
Website｜ chiayisound.blogspot.com
演出者︱ 許雁婷
與聲音工作的緣份始於一個田野錄音計畫—嘉義聲音計畫（2008-2009，與法國聲音藝術家Yannick Dauby合作），此後開展對聲音藝術的興趣和研究。喜歡探索聲音與生活、環境、族群文化的連結關係，聲音之於周遭世界另種角度的體認，並以田野錄音素材從事聲音紀錄片及音景創作，作品多富有敘事性。2010年赴英、法進行「網路電台作為發展聲音藝術平台」研究調查。
表演簡介︱
清醒的時刻，眼見的景象佔據太多空間。
這是一場聆聽坊，現場沒有表演者，但有其他地方的聲音風景進入。
一個邀請：一起聆聽、感覺、和想像。
Artist︱ Traffic Jam
Tech-instruments, self-made software, program, electro-noise, concrete sound, and the sound goes on…
TrafficJam started in 2011 by the students of Master Program of Sound and Music Innovative Technologies in National Chiao Tung University. It is a long-term project to experiment the new possibilities of sound. We don’t have fixed members, each member has different approach and style, jamming all together to create the new sound.
Current Members:
Xie Zhongqi
Sound artist, computer composition, recording, commentary, planning, translation.
e-Mail︱wolfenstein0_0@hotmail.com
Website｜http://www.chinesenewear.com/wolfenstein/
David Chi
Interests in the relationship between sound and user interface, constantly trying to design instruments with new interface.
e-Mail︱davidchi0623@gmail.com
L.Yude
Interested in welding, electronic equipment assembling, patching.
e-Mail︱ listen.yude@gmail.com
George Liu
Designing techno-instruments to keep every sound.
e-Mail︱drummerwei@gmail.com
Performance Introduction︱ Rush Hour
The four members perform with self-made music control interface: SPMC rotating-pressure percussion, original sound simulate instrument, self-made synthesizer and program, to construct a piece with various styles and characters in which different elements accompany each other and to form a unity altogether as a non-stop music journey.
演出者︱ Traffic Jam
科技樂器
自製硬體
電腦程式
電子噪音
具象原聲
聲聲不息
TrafficJam 於2011年由交通大學聲音與音樂創意科技碩士學位學程發起，是實驗音樂新可能性的長期計畫。成員不固定，每個成員的專長與風格均不同，一同來 jam 出新的聲響。
目前成員：
謝仲其
聲音藝術家、電腦作曲、錄音、評論、企劃、翻譯。
e-Mail︱wolfenstein0_0@hotmail.com
Website｜http://www.chinesenewear.com/wolfenstein/
紀子衡
對於聲音與使用者介面之間的關係感到興趣，不斷嘗試設計新介面的樂器。
e-Mail︱davidchi0623@gmail.com
林育德
業餘焊接、電子設備組裝、接線生。
e-Mail︱ listen.yude@gmail.com
劉哲瑋
設計科技樂器，留下所有聲音。
e-Mail︱drummerwei@gmail.com
表演簡介︱Rush Hour
四位成員將會使用自己研發的音樂控制介面：SPMC 轉壓式敲擊樂筒、原聲模擬樂器、自製合成器組與自製演奏程式，各自發展出一段風貌互異的樂曲，同時彼此之間也會相互伴奏，最後熔於一體，形成不間斷的音樂旅程。
